Angelo Branduardi Navigationsmenü
Angelo Branduardi ist ein international bekannter italienischer Musiker und Cantautore. Als Cantautore in der Nähe der Genueser Schule angesiedelt, verbindet Branduardi Alte Musik mit traditioneller Volksmusik und gibt sich stilistisch als. Angelo Branduardi (* Februar in Cuggiono bei Mailand) ist ein international bekannter italienischer Musiker und Cantautore. Als Cantautore in der. Die CD Angelo Branduardi: Seine schönsten Hits jetzt probehören und für 9,99 Euro kaufen. Mehr von Angelo Branduardi gibt es im Shop. Die CD Angelo Branduardi: The Best Of Angelo Branduardi jetzt probehören und für 7,99 Euro kaufen. Mehr von Angelo Branduardi gibt es im Shop. Er geht mit 70 noch regelmäßig auf Tournee. Der italienische Geiger und Sänger Angelo Branduardi findet in Geschichte und Literatur immer.
angelo branduardi la pulce d'acqua. Die CD Angelo Branduardi: Seine schönsten Hits jetzt probehören und für 9,99 Euro kaufen. Mehr von Angelo Branduardi gibt es im Shop. Die CD Angelo Branduardi: The Best Of Angelo Branduardi jetzt probehören und für 7,99 Euro kaufen. Mehr von Angelo Branduardi gibt es im Shop. DE 62 2 Wo. Branduardis weiche Stimme wird noch eine Nuance gefühlvoller: "Es hat wundervolle Worte. Das Paar hat zwei erwachsene Töchter. IT 10 8 Https://hortlaxefs.se/online-stream-filme/popey-der-seemann.php. Und das auch in Deutschland. IT 18 2 The ein satansbraten ist verliebt stream idea. Namensräume Artikel Diskussion. Angelo Branduardi A disney filme neue Branduard i wurde in Cuggiono, in der Nähe von Mailand, geboren. Diese Musik werde er bei Konzerten in Italien vorstellen.
We are at the court of the Popes between 16th and 17th centuries. John in Lateran square in Rome each 24th of May, and it's exactly in that place in that this project was presented for the first time.
Let's ignore the bad accent. Speaking with roman accent is very uneasy for non-romans and Branduardi's accent is not credible.
However, the historical and musical research have found some very interesting forgotten songs. It starts as a poetry, then it's only voice and dulcimer.
The lyrics are very nice. But it ends with an advice: "If you see women walking alone by night don't touch them.
When the fox walks alone by night brings the wolf to the trap". Try to imagine Blackmore's Night playing ancient instruments. This is the difference: it's not reprising and arranging medieval or renaissance music.
It's playing it as it was supposedly played at these times. It's followed by "Preludio" Prelude that's a baroque guitar solo. For lovers of classical guitar.
We all have to die, life is a dream". So it's more about death than about life. Good for a funeral but the melody is very good.
It's a minuet, not very happy, but very far from the previous deadly song. A non corresponded lover sings about his endless pain. Viola, guitar and voice for a sweet and sour song.
She doesn't care of her age and lives her life happily. It sounds like a jester's song and has a rhythm very similar to an Irish ballad.
A pop song of the 16th Century. I'm joking of course, but this song sounds incredibly modern. The Lady of the song is not properly a princess.
She is asked to "pour her wine and let her dew fall". It was probably dedicated to a real person. John is celebrated on the 24th so we are one week after.
Branduardi is the speaking voice as in the first song , and the poetry is another story of painful love.
On this song Francesca Torelli shows an excellent voice other than being an excellent guitarist and the orchestra director. How can some people be so talented?
However that's not the last song. The album is closed by a "Tarantella". Despite the most known tarantella, this one has a slow tempo and is an excellent instrumental featuring spinet and flute, two instruments very often used during the Renaissance in Rome and Naples.
It's only after about 3 minutes that the percussion and the tambourines make it recognizable as a standard tarantella. A complex song made of at least three different sections.
So what to say of this album? As all the "Futuro Antico" collection it hasn't anything prog. It's ancient popular or classical music rediscovered and reinterpreted with the same ancient instruments.
Who likes prog-folk with its roots in the past, like the mentioned Blackmore's Night, or even Pentangle, early Clannad or Malicorne will probably like also this.
A very interesting collection from a "cultural" point of view. A non-essential album for the prog world.
An average rating. More than a Branduardi album, this should be considered as a collaboration between him and the orchestra "Ensemble Scintille di Musica" directed by Francesca Torelli.
The tracks are grouped by "arguments", so there are 4 distinct "movements" but this is not so evident in the music so let's ignore it. His music is conformantg to the actual standards in terms of melody and rhythms.
A typical product of his times. Going one century back with a song by Michele Pesenti about is a natural place where Branduardi can put his voice.
Also the fact that the song was composed by a lutist creates a strong connection with Angelo's natural musical environment. Another song of the 15th Century from Farncesco Varoter death for lute and classical guitar.
It's a song about the vanity of life from the point of view of a corpse Think to Pentangle or Stephen Grossman.
Bartolomeo Tromboncino about is an interesting character. He was a criminal who also murdered his wife and had problems wherever he went but was very able in getting the favors of the powerful men so he finished at the court of Lucrezia Borgia.
Musically his genre was the predecessor of madrigals and he later became a madrigalist. Tromboncino is not his real name.
He got this nick because he was a trombonist. Who is familiar with the early Branduardi could think that this is an original Branduardi's modern composition if it wasn't for the archaic Italian lyrics.
Benedetto Ferrari is deeply in Renaissance. He was famous as theorbo player. This is one of the less "easy" songs of this collection and respect to the previous songs it seems to be less suitable for Angelo's voice.
Apparently it's between the 15th and 16th centuries. It's an excellent instrumental for who likes the genre. I don't know if Angelo plays anything on this track.
Pietro Andrea ZIani - was organist and priests and is mostly known for his contribution in exporting the opera to Austria. This composition is just a minuet very "standard" for Venice in that century.
Not very impressive. A short anonymous with lyrics in Venician preceeds a very nice classical guitar piece.
I was quite sure that it's played by Angelo who is mainly a violinist but also an excellent guitarist, but Branduardi is credited only for the vocals, so it's likely Francesca Torelly who plays.
The author was a lutist born in Milan in the middle of 15th Century. This is almost all that we know about him. This very good instrumental was probably a dance.
Baldassarre Donato is the author of this which is one of the best compositions of this collection. Next there's a madrigal of Vincenzo Bellaver , not the best album's thing in my opinion.
A big classical guitar played like a harp? Johann Hieronymus Kapsberger born from German parents in Venice has been a very prolific composer, especially for "Chitarrone", a sort of big guitar with 14 unpaired strings.
Francesco Varoter was probably "Francesco D'Ana", organist also known as Franciscus Venetus who lived between 15th and 16th century. Claudio Monteverdi - is probably the most well known madrigals composer.
His "Laudate Dominum" is of course a madrigal which combines the polyphony typical of the Renaissance music with the "continuous bass" of the baroque.
Later he became one of the first opera composers. The use of trumpet on part of this track is an unusual element.
Alessandro Grandi - was Monteverdi's assistant and his music is early baroque. This is a good love song just a bit too bass for Angelo's vocal pitch.
He was a victim of the plague. Another Monteverdi's madrigal. As madrigals have always been the principal source of inspiration for Angelo Branduardi, this song is not too distant from the early Branduardi's "modern" works, specially in his early albums.
A cymbal-based short instrumental from Varoter follows. It's only because of my proggy ears, but listening to this track I'm expecting to see Ian Anderson coming out suddenly.
Vincenzo Calestani - about is another madrigalist. This track is slow and sad. Very atmospheric. Cipriano De Rore - was a Fleming composer.
This madrigal is sung by a soprano and the French-Fleming school influence is clear. This song has I think a lot of contact points with prog.
If I didn't know, I could have easily thought that it was a Branduardi's song. Mr Blackmore surely knows it as well.
As the opener, also the closer is by Carlo Pallavicino. Just 1 minute and half of Venetian baroque. Please forgive me if I have taken the opportunity of this album to make a bit of "history", but I think that knowing some about the composer helps in better appreciating the composition.
What does this album have to do with prog? Very few effectively. Apart of some songs which have parts that can be found in the music of Branduardi, Blackmore's Night, Pentangle and Malicorne, this is an album of classical music.
I go for two stars only for this reason. If this wasn't a prog site it would have been a 3 stars album. So good, non-essential, but most of all, not prog.
The music on the disc varies between classical themes and folklore, so exactly what you can expect of Branduardi, but most of the stuff is instrumental - and rather slow.
If you're looking for more proggy moments than on Angelo's regular output you probably will be disappointed, although the soundtrack-pace has allowed him to experiment a little more, if you're looking for ear-wigs like "Cogli la prima mela" you might be disappointed even more - although "Vanita di Vanita" has become an enduring classic and, together with the marvellous instrumental "Tema di Leonetta", the dreamy "La Canzone di Momo" and the medieval instrumental "Tema dell Villagio", it's worth the price of admission alone.
With several listens you may find that "La Canzone de Deserto" is another highlight, with its inspiration audibly coming from the Irish traditional "She moved through the fair", but Branduardi is taking it elsewhere and inventing the guitar-riff to "Amazzonia" a track that later appeared on "Il Ladro".
This is a very sensitive song solely performed by Branduardi alone - and it's a grower. A personal 3. I think that Branduardi drew a line between "regular albums" and his forthcoming "Futuro Antico"-Project by then, saving those influences for the latter, while the folklore-touch did still play an important role on albums like this - making sure that after all it's still Branduardi you're listening to!
This is a very fine album with beautiful melodies and a happy, reflective instead of a sombre mood most of the time.
The songs - other than on its predecessor - are mainly of superior quality, and given that "La Donna della Sera" for once my ears start complaining about "clanging drums" again here and "Tenera Nemica" are the weakest tracks on board - the both of them would have made outstanding tracks on "Si puo Fare" - the fan ought to be more than satisfied.
Maurizio Fabrizio was back. But, don't be mistaken, it's not his guitar delivering those outstanding moments in "I Santi" - it's Pedro Javier Gonzales!
But for sure Fabrizio helped to make this album a coherent and convincing affair - he's a brilliant arranger, you know. Another classic, as is the light-weight, joyous chant of "Le dodici Lune".
How long did we have to wait to get stuff like that from this man again? Songs in which his violin really starts to shine and the overall feel is uplifting?
Songs in which the melodies enchant you and make you feel good? But for years we had been held short of joyous tracks like this coming one after another on ONE album of the man.
The soaring, atmospheric ballads are back again, too. I think that this kind of relaxed soundscapes was what Branduardi had been up for with "Indiani" on the previous album.
But while he sadly failed on that - here he succeeded in every respect. The great and sensitive musicianship of the whole ensemble coming through with every note - so I have to give them an extra-mention.
Fabulous performances throughout from everyone! The closing track, "Un Angelo del Cielo", is the piano ballad.
Again I'd like to make a comparism to "Si puo Fare", where "Prima di Ripartire" made at least a good ending.
This one, with Branduardi daring to give it a chamber string-chart as an instrumental coda, is outshining it by all means.
The melodies were back, and the whole album is a warm and pleasant listen throughout, cohesive and versatile but never leaving the pace of radio-friendly mainstream sounds.
And that's the only thing that's keeping it from a 4-star-rating: never more obvious than here Branduardi gave us sheer POP even with the rather traditional tracks - and if you don't like a song such as "Breakfast in America" f.
If you don't have a soft spot for Italo Pop how can you fall for "Fou de Love"? I'm telling you, the both of them plus "I Santi" are my favourites here, although there may be songs of more merit for the average prog-fan.
And the average prog-fan won't be so very happy I suppose. But as a long-term-fan of the artist you're supposed to be utterly happy with "Domenica e Lunedi", lending it a 5 star-rating for Branduardi having regained his bearings - which would surely be one star too much compared to "Gulliver, La Luna It's a perfect album for those who don't mind the strong commercial appeal and attitude with which it was produced.
But it's as far from "Progressive Rock music" as James Last is. It's a contemporary classic in Branduardi's catalogue. That's why I can't give it more than 3 stars on P.
Copyright Prog Archives, All rights reserved. Please consider supporting us by disabling your ad blocker.
At the age of fifteen he moved again, this time to Milan, in order to attend high school, where he was taught by the great poet Franco Fortini.
After that, he took up Philosophy at university; during that time he started composing, putting the texts of his favourite authors into music.
During his long career he has always been very consistent in his style, and never compromised in order to gain commercial success. His eponymous first album, released in , is one of the most appealing for prog fans; but the great success came with "Alla fiera dell'est", recorded for Polydor in Both the single and the LP were top hits in Italy, and also made the artist very famous in other European countries such as Germany and France, where most of his albums have been issued, often in different versions than the originals, and Branduardi has constantly toured.
Combining traditional folk tunes often from northern Europe with classical music, Branduardi, a trained violinist, has created a distinctive style that is still very popular nowadays.
Banco's members also played with him on the live "Concerto" 3-LP box set. Michael Micky and Raffaella Raff Berry.
Studio Album, 3. Live, 3. Branduardi , A. Data Quality Correct. Show 25 50 Refresh. Reviews Add Review. Artists for the Future by Milesbeet-hoven1.
Bands seen Live by onetwothreeclimb. Favorite Artists by Kombo. Seen Live by tristan. My favourite artists by elefantedischi.
Master Release - [Help] Release Notes: optional. Submission Notes: optional. Save Cancel. Contained Releases:.
Angelo Branduardi Album 16 versions. RCA Italiana. Sell This Version. La Luna Album 5 versions. Alla Fiera Dell'Est Album 45 versions.
La Pulce D'Acqua Album 45 versions. Cogli La Prima Mela Album 31 versions.Seine erste Langspielplatte erschien Polydor, erschienen Das Paar hat zwei erwachsene Töchter. Hauptseite Themenportale Zufälliger Artikel. Duperey anny zum Thema: Deutschland Italien Geburtstag. Dann ist er sicher: "Ich mag mein erstes Lied am liebsten, das ich mit 18 komponiert habe. Seitdem learn more here er alle paar Jahre etwas Neues. Der click the following article die Kindheitserinnerungen und die Gradlinigkeit armer Leute preist. So geht es Angelo Branduardi. IT 17 18 Wo. Soundtrack von Momo. Luisa Zappa Branduardi übertrug die Texte ins Italienische. Wenn man den italienischen Musiker nach seinem eigenen Lieblingslied fragt, zögert er kurz. Glückwunsch, Angelo Branduardi. WDR 4 Glückwunsch. Min.. Verfügbar bis WDR 4. Von Troendle, Stefan. Weiche Stimme. – Plattendebüt: die RCA publiziert das Album "Angelo Branduardi", arrangiert von Paul Buckmaster. - "La luna", in Zusammenarbeit mit Maurizio. Das erste Album von Angelo Branduardi hat für mich immer eine Sonderstellung genossen. Hier sind die Balladen noch nicht so glatt poliert wie auf späteren. Zeitlos scheint Angelo Branduardi, der italienische Sänger, Komponist, Erzähler, Maler und romantische Wuschelkopf mit Geige, zu sein. Er erregte in den. angelo branduardi la pulce d'acqua.