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Top 10 actionfilme 2019

Top 10 Actionfilme 2019 Martial Arts

Alita: Battle Angel. Romulus & Remus: The First King. Murder Mystery. Romeo & Julia - Liebe ist ein Schlachtfeld. Shaft. Fortsetzung der beliebten Action-Filmreihe aus den er Jahren.

top 10 actionfilme 2019

hortlaxefs.se: Zum Ende des Jahres präsentieren wir euch wieder die Top-​Listen der FILMSTARTS-Mitarbeiter mit den besten Filmen. Hier sind unsere TOP-5! 10avengers. The Avengers (USA ) Als wir die Liste der besten Actionfilme des neuen Jahrtausend zusammengestellt. Shaft. Fortsetzung der beliebten Action-Filmreihe aus den er Jahren.

Top 10 Actionfilme 2019 - Die besten Action-Filme 2019: Ähnliche Artikel & Weitere Infos

Gruselig 2. Knallig, schnell, zeitlos genial. Historical Fantasy 1. Was für ein geiler Film. Maxdome 1. Philosophische Action in gestylter Optik nach Philip K. Captain Marvel.

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Den ersten Gang einlegen, Kupplung ruckhaft loslassen - und Abfahrt! Captain Marvel. Ähnliche Nachrichten. hortlaxefs.se › Filme. Entdecke die besten Actionfilme von Joker, Avengers 4: Endgame, Le Mans 66 - Gegen jede Chance, John Wick: Kapitel 3, Alita: Battle Angel. Eine Zusammenstellung der besten Actionfilme auf Deutsch German Die aktuell beliebtesten Filme ➤ hortlaxefs.se Das sind die 20 Highlights und sonstige sehenswerte Actionfilme, die Netflix zurzeit zu bieten hat. UNSERE TOP ACTION OHNE UMWEGE Polar (​) Johnson), der nur "Driver" genannt wird, nach 10 Jahren aus dem Gefängnis. Auf diese Actionkracher in freuten wir uns riesig. Diese 10 Blockbuster lassen es so richtig krachen. Checkt die besten Action-Filme Politthriller 1. Ich denke eher du fandest ihn generell ansprechend, und daher sind dir click here visuellen Makel nicht https://hortlaxefs.se/filme-live-stream/bs-the-walking-dead.php sehr aufgefallen. Anime Mit Oscarpreisträgerin Brie Larson in der Hauptrolle. Schön gesagt, Bruce und Darklight! Parasite Trailer 2 DF. Frohes Neues Jahr. Türkei 3. Wer ist dann click Gloria, die Gewinnerin eines Schönheitscontestes, sieht sich gezwungen mit einem Gangsterboss zusammenzuarbeiten, nachdem sie Zeugin eines Mordes geworden ist. Auf effektvolle Godzilla-Filme kann man sich eigentlich immer freuen, wenn es um Explosionen und überdimensionale Viecher geht. Weitere Click at this page zu den Filmen bekommt ihr auch mit einem Klick auf das Plakat. Ich konnte während des ganzen Filmes einfach nicht aufhören zu schmunzeln. Ein this wunschzettel 2019.de congratulate deprimierender Film, trostlose Figuren bzw ihr ganzes gescheitertes Leben, z. China Backtrace Trailer und Filminfos. Ein zutiefst deprimierender Film, trostlose Figuren bzw ihr ganzes gescheitertes Leben, z. Das furiose Regiedebüt des Kameramanns Jan de Bont schlug visit web page mächtig ein, nach der deutlich schwächeren Fortsetzung von sank sein Stern source. Familiendrama 4. Ist das Kind schuld? Türkei 3.

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Top 10 Movies of 2019

Molly Ringwald stars in this John Hughes-directed classic as a misfit teen whose 16th birthday is completely ruined when her parents overlook her in favor of her sister's upcoming wedding.

Add to that an endless string of humiliations, from bullying classmates to a insufferably horny geek who won't leave her alone.

Set in mid-'60s Chicago, Cooley High follows a group of friends who are celebrating the end of the school year—an exciting time that is put to a halt when two of the group are falsely accused of stealing a car.

Four students enter a prestigious high school in New York City dedicated to the performing arts. All of them are tested throughout the school year to express themselves and try to fit into the rigorous world of theater as they discover their own individual identities as young adults.

The classic musical starring John Travolta and Olivia Newton-John is a crowd-pleasing nostalgia fest for the blissfully innocent s.

The duo play an unlikely romantic pair—the greaser Danny Zuko and the virginal Sandy—whose classmates scheme to keep them from finding true love together.

Years before Star Wars , George Lucas wrote and directed this Oscar-nominated ensemble comedy about a group of high school graduates who spend one last night together in cruising around and reflecting on their future.

Nominated for eight Oscars including Best Picture and winning two for Best Supporting Actor and Actress , Peter Bogdanovich's stark adaptation of Larry McMurtry's novel remains one of the most realistic and somber reflections of teenage life.

Set in a small north Texas town that's on the brink of ruin, the film stars Jeff Bridges, Timothy Bottoms, and Cybil Shepard as high school seniors who must reckon with their dying hometown and the paths their futures have in store for them.

This disarmingly dark comedy remains one of the ballsiest teen movies ever made. Winona Ryder stars as the whip-smart Veronica Sawyer, a popular girl who hates her best friends a trio of queen bees, all named Heather.

Her life spins out of control when she falls for the new kid at school—the trench coat-wearing, gun-toting J. Nicolas Ray's searing drama essentially invented the American teenager—and teenage angst—and made a Hollywood icon out of its star, James Dean.

Dean plays a Los Angeles teenager who rebels against his strict parents and becomes friends with the lonely Plato Sal Mineo and the defiant Judy Natalie Wood.

The high school sports movie— Hoosiers , Remember the Titans , Varsity Blues —is a film staple, but none have the heart and soul of Steve James's stirring documentary about two teenagers from Chicago who are recruited by a scout to attend a privileged and predominantly white suburban high school to participate in its basketball program.

Tina Fey's sole screenplay is based on the sociological study Queen Bees and Wannabes , which she ingeniously turned into a hilarious comedy that stars Lindsay Lohan as new girl Cady who is tapped by her high school's reigning popular girls to join their clique.

As she attempts to dismantle their power, she only becomes more ruthless and mean herself. Sidney Poitier stars in this iconic film, one that inspired countless imitations, as an American teacher in an inner-city London high school who shepherds his class of unruly, disrespectful pupils and inspires them to embrace their education and personal responsibility.

Undoubtedly the best high school movie that doesn't even take place in high school, this John Hughes comedy stars Matthew Broderick in the role that made him a star.

The titular character skips out of school for a day with his girlfriend and best friend, which sees the trio embarking on a madcap tour of Chicago while the school principal—and Ferris's surly sister—are hellbent on catching him playing hooky.

Amy Heckerling wrote and directed this brilliant teen comedy, inspired by Jane Austen's Emma , which stars Alicia Silverstone in her most iconic performance as a ditzy, if well-meaning, Beverly Hills high school student who weaves a complicated matchmaking web—learning that it's ultimately better to be selfless than selfish.

Reese Witherspoon delivers her best performance in Alexander Payne's dark comedy, playing the ambitious Tracy Flick, who is eager to become student body president.

Matthew Broderick sheds his youthful charm to play the social studies teacher who will stop at nothing to stop the teenage girl from achieving her goal—a scheme that throws the all-American high school into turmoil.

This film marked the directorial debut of Amy Heckerling and the screenwriting debut of Cameron Crowe. Based on the latter's undercover reportage at a San Diego high school, Fast Times at Ridgemont High explores the ins and outs of teen sexuality in comically honest fashion.

Richard Linklater's comedy follows the American Graffiti framework, examining the various social circles of the rising freshman and senior classes of an Austin, Texas high school on its last day in Five high school students from varying social classes—a brain Anthony Michael Hall , an athlete Emilio Estevez , a basket case Ally Sheedy , a princess Molly Ringwald , and a criminal Judd Nelson —spend a fateful Saturday detention together in John Hughes's classic teen drama.

Together, the five students learn they have much more in common than they thought. United States. Type keyword s to search. Today's Top Stories.

Advertisement - Continue Reading Below. Ip Man HK China um Doch er will nur in Frieden mit seiner Familie leben.

Das prächtig ausgestattete Drama orientiert sich am Leben des Kampfkunsthelden , der auch Bruce Lee unterrichtete.

Drei Wochen vor der Premiere starb Bruce Lee jährig. Erfolgreicher Auftakt für ein immer noch aktuelles Hollywood-Franchise.

Regisseur James Cameron, bis dahin nur der Typ, der bei "Piranhas 2" gefeuert worden war, legte mit "Titanic" und "Avatar" eine Megakarriere hin, Arnold Schwarzenegger, der Typ mit der lustigen Aussprache, wurde als Cyborg in Menschengestalt zum Star.

Mit "Terminator: Genisys" ist die Serie immer noch aktuell und erfolgreich. Verliert er den Wettlauf gegen die Nazi-Schatzsucher, könnten die mit übernatürlichen Kräften die Welt erobern.

Stilbildende, hammerharte Zukunftssatire, lange Zeit auf dem Index, zeitlos explosiv. Auf so viele gigantische Superhelden-Actionfilme, dass wir uns dazu entschlossen haben, daraus eine eigene Top Ten-Liste zu machen bald an dieser Stelle.

Da man aber nicht von Action im Jahrhundert sprechen kann, ohne Thor, Iron Man und Co. Doch dann wird der Waffenfabrikant von afghanischen Rebellen entführt, die ihn zwingen, eine Splitterbombe aus seiner Kollektion für sie zu bauen.

Das Technikgenie bastelt stattdessen lieber einen Kampfanzug für sich selbst: "Iron Man" ist geboren! Eine Superheldin zwischen Fantasy- und Kriegsdrama - man darf gespannt sein, wie sich das Genre mit Frauenpower entwickelt.

Jahrhundert - als verletzlichen Antihelden. Völlig zurecht gewinnt dieser infernalische Action-Streifen für seine handwerkliche Perfektion sechs Oscars in den wichtigsten Nebenkategorien.

Mit völlig entfesselter Handkamera und grenzhysterischem Schnitt schuf Greengrass ein Monster von Film, das der unübersichtlichen Welt nach dem September angemessen war.

Man trifft sich in Hollys Büro, streitet sich umgehend, und während McClane mal kurz austreten geht, bricht im gerade mal bezugsfertigen Büroturm die Hölle los: Der deutsche Terrorist Gruber Alan Rickman und seine Gang bringen die Angestellten in ihre Gewalt und stellen unverschämte Forderungen.

Kill Bill: Vol. Ebenso brutal schlägt der Staat zurück: Nach einem Blutbad in einer Apotheke erhält die drogenabhängige Nikita Anne Parillaud das Urteil "lebenslänglich".

Im Knast wird sie überfallartig zu Tode gespritzt. Ein Fake! Nikita entscheidet sich fürs Leben. Unter einer neuen Identität führt sie fortan Mordaufträge aus, präzise wie ein Roboter.

Aber einen Rest menschlicher Gefühle hat sie sich bewahrt. Der Regisseur und sein Star waren damals ein Paar, trennten sich aber kurz nach der Premiere.

Als sie aufmuckt, wird sie wider Willen zur Symbolfigur. Der Kassenschlager machte Lawrence zum Weltstar. Die Spur der Diebe führt sie über Kambodscha bis nach Sibirien.

Peppig, sexy, cool: "Amazone" Jolie ist ideal besetzt als erste virtuelle Spielheldin, die jemals zur Popikone wurde. Wie Kindergeburtstag, nur mit Erwachsenen: Das Kino-Update der 70er-Serie ist albern, bunt, laut und wahnsinnig lustig.

Die Cops und ein Exkomplize jagen sie. Hochspannung mit einer Verfolgungsjagd, die Filmgeschichte schrieb.

Einer der ersten und schrillsten "Blaxploita-tion"-Filme der 70er mit genialem Curtis-Mayfield-Soundtrack.

Trotz dramaturgischer Mängel Kult! Szell Laurence Olivier auf der Spur. Elegant fotografiert vom späteren Oscar-Gewinner Conrad L.

But the point is this: Raiders of the Lost Ark, the film that introduced Indiana Jones to a grateful planet, was born a fully formed classic.

The film is almost perfect, right from its gloriously protracted opening all the way to its ironic, almost downbeat ending. The casting of Harrison Ford was nothing short of a masterstroke — allowing him to play a more conventional hero than he'd been able to in Star Wars, but still leaving plenty of room for his world-weary cynicism.

Raiders of the Lost Ark is a film from a different era; a Boys-Own era when you were still allowed to have cartoonish Nazis for villains and the phrase "produced by George Lucas" didn't inspire sleepless nights and palpitations.

There's romance, there's adventure, there are world-class death scenes and there's definitely no sign of Shia LaBeouf getting chased about by some big ants in the jungle.

In , a knockout blow for the venerable martial arts movie was visited upon unsuspecting western audiences by Crouching Tiger, Hidden Dragon, Ang Lee's exhilarating addition to the genre.

Hardened critics at Cannes greeted fight scenes with excited applause. People who'd have never dreamed of watching martial arts found themselves debating the finer points of wuxia, the fighting style that allows its practitioners to defy gravity and soar above rooftops.

Shot with Chinese actors speaking Mandarin, but co-scripted by US writer James Schamus, Crouching Tiger was received indifferently in Asia but proved immensely popular in the west, winning four Oscars and becoming the highest-grossing foreign-language film in American history.

No wonder: you could lose the subtitles and still be transfixed by the film's visual delights.

The scenery, taking in Qing-dynasty Beijing, the ghost city of Xinjiang and other extraordinary Chinese locations, is magnificent.

The fight scenes are choreographed with exquisite grace by Yuen Woo-ping, whose work on The Matrix had wowed audiences the previous year.

No less thrilling is the rooftop scene in Beijing, or Jen Yu's show-off battle at a traveller's inn.

With fight scenes like that, the plot doesn't matter, surely? What's most pleasantly surprising about Crouching Tiger is how emotionally involved in the characters' stories you get.

Jen Yu is the impetuous governor's daughter who engages in a secret affair with a desert bandit Chang Chen and fancies herself a warrior.

In keeping with genre traditions, the plot is intricate, requiring a great deal of exposition — including daringly extensive flashbacks which reveal Jen Yu's adventures in the desert — but Lee handles it all with consummate skill.

Killian Fox. When Henri-Georges Clouzot took on a genre, it generally led to a classic: so Les Diaboliques is one of the most frightening pictures ever put on screen; The Mystery of Picasso is among the most outstanding films exploring the work of an artist; and The Wages of Fear has no superior in the field of action-suspense.

Set in an unnamed south American country, the action starts in a small town with an airfield where we are introduced to four shady characters anxious to get out, but minus the money for a plane ticket.

The roads are awful. The hazards are unlimited. And the nitro, sweating in the heat, itches to explode long before it gets to the oilfield.

The way Clouzot films this process in a movie of over two and a half hours is a model of grinding, unrelieved suspense.

The film was shot in black and white, not in south America but in the south of France. And it is now well over 50 years old. Yet the inspired calculation of action and agonised human reaction is irresistible and inescapable.

It is a film that leaves the audience shattered and exhausted. All of which is enhanced by the feeling, common to most of Clouzot's pictures, that he rather despised people and knew that sooner or later their worst traits would come through.

Of course, the trick to that is that these tough guys become all the more heroic because they are not sentimentalised. We depend on them.

Yet we know the remorseless destiny of nitro. We are there with them, and, as in any intense experience of combat or action, they become brothers and comrades.

David Thomson. Warner Brothers originally fancied Roman Polanski for director. The novel's famously macho author, James Dickey, wanted Sam Peckinpah.

But Deliverance as it was finally made is so indelible, even after 40 years, and its impact has been so lasting, that even those mouthwatering possibilities are obliterated by what John Boorman finally wrought.

Depending on your viewpoint, Deliverance is the first eco-thriller Dickey's novel was published in , the year of the first Earth Day celebration, and remained a bestseller throughout the 70s , or a meditation on American machismo in its suburban, postwar variant.

The thoughtful, sedentary adman Ed Voight must find it in himself to embrace the hunter-warrior ethic of his tougher friend Lewis Reynolds when the latter is crippled by his injuries, and Ed both loves and hates what he becomes — which is to say, more of a man than Lewis, but perhaps less human.

If you're from rural America, however, particularly from Appalachia, chances are you still hate Deliverance for the powerfully negative effect it has had and still has on outsiders' perceptions of this embattled region, presenting it as all hookworm and incest, buckteeth and bluegrass.

And, being an eco-thriller, this is one of the greenest movies ever made — green always looked good on Boorman, especially in his riotously verdant Excalibur and The Emerald Forest.

Working with a narrow palette here, he excludes most non-natural tones, making the blood that finally flows all the more vividly scarlet and shocking.

For all the furious excitement of its river-rafting sequences, and the harshness and humiliation of its explosive central rape scene, Deliverance is an elegiac movie, mourning the rural mountain culture soon to be inundated by a new hydro-electric dam.

A people is displaced, churches are uprooted and coffins disinterred, so that Atlanta, home of our four suburbanites, can have power and light.

Karma demands payment for that, and takes it, brutally.

Take a walk down memory lane with these classic teen flicks. Hailee Steinfeld channels a new-age Molly Ringwald in this sharp spin on the classic teenaged dramedy.

Netflix Amazon. Robin Williams stars as John Keating, an English teacher at an elite all-boys boarding school, who is determined to encourage his students to break the mold of their regimented education through poetry.

Amazon Apple. Ah, the first documented instance of the natural phenomenon that is Greta Gerwig directing Saiorse Ronan. Amazon Google. If an angsty indie anthem were a film, it would be Perks of Being a Wallflower.

Logan Lerman stars as a doe-eyed high school freshman whose fate takes a twist when two boldly offbeat seniors, Emma Watson and Ezra Miller, take him under their wing.

The instant coming-of-age classic follows two academic overachievers, played by Beanie Feldstein and Kaitlyn Dever, as they embark on their final night of high school with one assignment: to cram in all of the fun they missed over the last four years while they played by the rules.

Hulu Amazon. Amazon iTunes. Seth Rogen and Evan Goldberg wrote the perfect contemporary teen sex comedy which follows, naturally, two teenage boys who vow to lose their virginity before graduation.

Jonah Hill and Michael Cera play fictional versions of the screenwriters with Rogen appearing in the film as a bumbling cop , while Emma Stone delivers a star-making turn as Hill's love interest.

Sissy Spacek earned her first Oscar nomination for this horror film, playing the outcast Carrie White who is abused by her evangelical mother and bullied by her mean classmates.

But she eventually has her revenge when she uses her telekinetic powers against her enemies. One of the best high school sports movies is undoubtedly this cheerleading-focused comedy, which stars Kirsten Dunst as the head of a troupe who learns that their former captain stole their routines from an inner-city Los Angeles squad.

Molly Ringwald stars in this John Hughes-directed classic as a misfit teen whose 16th birthday is completely ruined when her parents overlook her in favor of her sister's upcoming wedding.

Add to that an endless string of humiliations, from bullying classmates to a insufferably horny geek who won't leave her alone. Set in mid-'60s Chicago, Cooley High follows a group of friends who are celebrating the end of the school year—an exciting time that is put to a halt when two of the group are falsely accused of stealing a car.

Four students enter a prestigious high school in New York City dedicated to the performing arts.

All of them are tested throughout the school year to express themselves and try to fit into the rigorous world of theater as they discover their own individual identities as young adults.

The classic musical starring John Travolta and Olivia Newton-John is a crowd-pleasing nostalgia fest for the blissfully innocent s.

The duo play an unlikely romantic pair—the greaser Danny Zuko and the virginal Sandy—whose classmates scheme to keep them from finding true love together.

Years before Star Wars , George Lucas wrote and directed this Oscar-nominated ensemble comedy about a group of high school graduates who spend one last night together in cruising around and reflecting on their future.

Nominated for eight Oscars including Best Picture and winning two for Best Supporting Actor and Actress , Peter Bogdanovich's stark adaptation of Larry McMurtry's novel remains one of the most realistic and somber reflections of teenage life.

Set in a small north Texas town that's on the brink of ruin, the film stars Jeff Bridges, Timothy Bottoms, and Cybil Shepard as high school seniors who must reckon with their dying hometown and the paths their futures have in store for them.

This disarmingly dark comedy remains one of the ballsiest teen movies ever made. Winona Ryder stars as the whip-smart Veronica Sawyer, a popular girl who hates her best friends a trio of queen bees, all named Heather.

Her life spins out of control when she falls for the new kid at school—the trench coat-wearing, gun-toting J.

Nicolas Ray's searing drama essentially invented the American teenager—and teenage angst—and made a Hollywood icon out of its star, James Dean.

Dean plays a Los Angeles teenager who rebels against his strict parents and becomes friends with the lonely Plato Sal Mineo and the defiant Judy Natalie Wood.

The high school sports movie— Hoosiers , Remember the Titans , Varsity Blues —is a film staple, but none have the heart and soul of Steve James's stirring documentary about two teenagers from Chicago who are recruited by a scout to attend a privileged and predominantly white suburban high school to participate in its basketball program.

Tina Fey's sole screenplay is based on the sociological study Queen Bees and Wannabes , which she ingeniously turned into a hilarious comedy that stars Lindsay Lohan as new girl Cady who is tapped by her high school's reigning popular girls to join their clique.

As she attempts to dismantle their power, she only becomes more ruthless and mean herself. Sidney Poitier stars in this iconic film, one that inspired countless imitations, as an American teacher in an inner-city London high school who shepherds his class of unruly, disrespectful pupils and inspires them to embrace their education and personal responsibility.

Undoubtedly the best high school movie that doesn't even take place in high school, this John Hughes comedy stars Matthew Broderick in the role that made him a star.

The titular character skips out of school for a day with his girlfriend and best friend, which sees the trio embarking on a madcap tour of Chicago while the school principal—and Ferris's surly sister—are hellbent on catching him playing hooky.

Amy Heckerling wrote and directed this brilliant teen comedy, inspired by Jane Austen's Emma , which stars Alicia Silverstone in her most iconic performance as a ditzy, if well-meaning, Beverly Hills high school student who weaves a complicated matchmaking web—learning that it's ultimately better to be selfless than selfish.

Reese Witherspoon delivers her best performance in Alexander Payne's dark comedy, playing the ambitious Tracy Flick, who is eager to become student body president.

Matthew Broderick sheds his youthful charm to play the social studies teacher who will stop at nothing to stop the teenage girl from achieving her goal—a scheme that throws the all-American high school into turmoil.

This film marked the directorial debut of Amy Heckerling and the screenwriting debut of Cameron Crowe. Based on the latter's undercover reportage at a San Diego high school, Fast Times at Ridgemont High explores the ins and outs of teen sexuality in comically honest fashion.

Richard Linklater's comedy follows the American Graffiti framework, examining the various social circles of the rising freshman and senior classes of an Austin, Texas high school on its last day in Five high school students from varying social classes—a brain Anthony Michael Hall , an athlete Emilio Estevez , a basket case Ally Sheedy , a princess Molly Ringwald , and a criminal Judd Nelson —spend a fateful Saturday detention together in John Hughes's classic teen drama.

Together, the five students learn they have much more in common than they thought. United States. Type keyword s to search.

Today's Top Stories. Advertisement - Continue Reading Below. The card game that opens the movie or the epic golf match in the middle?

The gold-obsessed villain or the hulking Korean hardman? The near-castration with the laser beam or the gangster compacted in his Continental?

And who could forget sexually ambiguous Pussy Galore, as essayed by husky-voiced, karate-hopping year-old bombshell Honor Blackman?

It's a compendium of everything one loves about — and with Connery at his apogee. Along with the Beatles, the most significant and most remunerative British cultural export of the 60s.

John Patterson. What a strange and different movie this might have been had it starred Jimmy Cagney, as was originally planned.

Happily his suave and seductive replacement, Errol Flynn, made the part his own, and the movie still stands as one of the most energetic and likable swashbucklers of Hollywood's prewar heyday.

Fine-tuned for endless thrills and maximum entertainment value, Robin Hood shows the Warner Brothers house style at its best, with every part, small or large, perfectly cast with one or another of the studio's contract players: Alan Hale as a rambunctious Little John, Eugene Pallette as a gravel-voiced Friar Tuck, Basil Rathbone as Sir Guy of Gisbourne and the breathily virginal Oliva de Havilland as a winsome Maid Marian.

Plot-wise, it's Walter Scott he who first split arrow with arrow meets the gruff, left-inclined Warner Brothers writing unit, with Hood's "rob-the-rich-to-feed-the-poor" ethic striking a particularly popular-frontish chord in the late stages of the Great Depression, from which this movie was surely a delightful and transporting minutes of relief and escapism — and all that in sparkling Technicolor!

Arnold Schwarzenegger may be beefier and Sylvester Stallone may direct his own films but, admit it, you love Bruce Willis the most.

Actually, that's not strictly true. You don't love Bruce Willis at all. Bruce Willis named one of his own children Rumer. Bruce Willis fancies himself as a pop star.

No, it's John McClane who you love. And even that's not strictly true. You don't love the homicidal lunatic from Die Hard 2, or the ancient bald-headed superman from Die Hard 4.

The barefoot, vest-wearing John McClane, trapped in a skyscraper full of terrorists at Christmas and surviving purely on instinct alone.

Of course you love him. Why wouldn't you? But there's more to Die Hard than just one character. It's a brilliant, suspenseful, witty, drumskin-tight action film littered with truly iconic moments, and it arguably hasn't been bettered in almost a quarter of a century.

Alan Rickman soars as the urbane terrorist Hans Gruber, Bonnie Bedelia is convincingly ballsy as Willis's wife and Hart Bochner damn near steals the show as the loudmouth cokehead who almost gets everyone killed.

You've probably never met anybody who doesn't like Die Hard , and there's a very good reason for that. It's dangerously close to perfect.

Stuart Heritage. Sure, there's a fantastic car chase in it — one of the first, still one of the best — but Peter Yates's first American movie is so much more than a duel on wheels.

First off, it belongs in the esteemed company of Greed, Vertigo, The Lineup, Dirty Harry and Zodiac as one of the finest movies set and shot in San Francisco, that most beguilingly cinematic of American cities.

Secondly, it offers the distilled essence of Steve McQueen as an actor and icon at the pinnacle of his career.

Exercising his usual restraint, the actor working as his own producer pruned every redundant word from his own role, making Bullitt perhaps the most taciturn hero of the 60s — McQueen knew that the less he said, the more intently the audience focused on him.

He is the near-silent centre of a very busy, compelling and violent crime drama. Blessed with the fresh eyes of newly landed Englishman Yates and genius cameraman William Fraker , the movie makes San Francisco fresh and alive, but also completely remakes and modernises the bleak, sleazy gangster demi-monde in which Bullitt does his hunting — moviegoers wouldn't see those same pointy, elongated shirt collars on gangsters again until Goodfellas.

And the moment when one gangster gets blown away with a pump-action shotgun, lifting him off his feet and halfway across the room, was a key turn in the development of on-screen violence before Sam Peckinpah rewrote the rules a year later in The Wild Bunch.

The final pursuit across the runways of San Francisco airport inspired a similar white-knuckle sequence in Michael Mann's Heat, which is to phantasmagoric, nocturnal LA what Bullitt was to San Francisco.

Oh, and there's this great car chase … JP. What's the first thing that comes to mind when you think of Raiders of the Lost Ark?

The hat? The theme tune? The weird Chinese boy whose presence hasn't really dated very well? No, not that last one, he was in the next film.

But the point is this: Raiders of the Lost Ark, the film that introduced Indiana Jones to a grateful planet, was born a fully formed classic.

The film is almost perfect, right from its gloriously protracted opening all the way to its ironic, almost downbeat ending.

The casting of Harrison Ford was nothing short of a masterstroke — allowing him to play a more conventional hero than he'd been able to in Star Wars, but still leaving plenty of room for his world-weary cynicism.

Raiders of the Lost Ark is a film from a different era; a Boys-Own era when you were still allowed to have cartoonish Nazis for villains and the phrase "produced by George Lucas" didn't inspire sleepless nights and palpitations.

There's romance, there's adventure, there are world-class death scenes and there's definitely no sign of Shia LaBeouf getting chased about by some big ants in the jungle.

In , a knockout blow for the venerable martial arts movie was visited upon unsuspecting western audiences by Crouching Tiger, Hidden Dragon, Ang Lee's exhilarating addition to the genre.

Hardened critics at Cannes greeted fight scenes with excited applause. People who'd have never dreamed of watching martial arts found themselves debating the finer points of wuxia, the fighting style that allows its practitioners to defy gravity and soar above rooftops.

Shot with Chinese actors speaking Mandarin, but co-scripted by US writer James Schamus, Crouching Tiger was received indifferently in Asia but proved immensely popular in the west, winning four Oscars and becoming the highest-grossing foreign-language film in American history.

No wonder: you could lose the subtitles and still be transfixed by the film's visual delights. The scenery, taking in Qing-dynasty Beijing, the ghost city of Xinjiang and other extraordinary Chinese locations, is magnificent.

The fight scenes are choreographed with exquisite grace by Yuen Woo-ping, whose work on The Matrix had wowed audiences the previous year.

No less thrilling is the rooftop scene in Beijing, or Jen Yu's show-off battle at a traveller's inn.

With fight scenes like that, the plot doesn't matter, surely? What's most pleasantly surprising about Crouching Tiger is how emotionally involved in the characters' stories you get.

Jen Yu is the impetuous governor's daughter who engages in a secret affair with a desert bandit Chang Chen and fancies herself a warrior.

In keeping with genre traditions, the plot is intricate, requiring a great deal of exposition — including daringly extensive flashbacks which reveal Jen Yu's adventures in the desert — but Lee handles it all with consummate skill.

Killian Fox. When Henri-Georges Clouzot took on a genre, it generally led to a classic: so Les Diaboliques is one of the most frightening pictures ever put on screen; The Mystery of Picasso is among the most outstanding films exploring the work of an artist; and The Wages of Fear has no superior in the field of action-suspense.

Set in an unnamed south American country, the action starts in a small town with an airfield where we are introduced to four shady characters anxious to get out, but minus the money for a plane ticket.

The roads are awful. The hazards are unlimited. And the nitro, sweating in the heat, itches to explode long before it gets to the oilfield.

The way Clouzot films this process in a movie of over two and a half hours is a model of grinding, unrelieved suspense.

The film was shot in black and white, not in south America but in the south of France.

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