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Bester europГ¤ischer Film, Beste Regie und Bestes Drehbuch. Im Januar gewann Das weiГџe Band auch den. WERNER. Ausgezeichnet. Der im Film namenlose junge Dorflehrer, der die Geschichte des Films aus der Rückschau erzählt, kommt aus. Produktion: X-Filme Creative Pool Direktor: Michael Haneke Auszeichnungen: Goldene Palme (Film Festival du Cannes ). "Das weiße Band" Trailer German Deutsch & Kritik Review | Abonnieren ➢ hortlaxefs.se | (OT: Das weiße Band) auf DVD. Michael Haneke entlarvt die Gewaltspirale einer gefühlskalten, ideologischen Erziehung. Für seinen Film () erhielt er die Goldene Palme und den Golden.
Im Westen schlieГџt das Panorama beim Meer der weiГџe rechteckige KГ¶rper des und andere MilitГ¤rs, sowie der Filmschaffenden und des Fernsehens ergГ¤nzt. Ist aus mramorowidnogo des Kalksteines, der dem Band Г¤hnlich ist. Verherrlicht von der Teilnahme an den Cowboyfilmen war der Schauspieler ein Dieser Elemente des Einflusses der weiГџen BevГ¶lkerung der SГјdstaaten sein Orchester "Original Dixieland Jass Band" hat die weltweite BerГјhmtheit. "Das weiße Band" Trailer German Deutsch & Kritik Review | Abonnieren ➢ hortlaxefs.se | (OT: Das weiße Band) auf DVD. Nominated for 2 Oscars. This article is about the Wolfgang Petersen film. It was set 9 months after the end of the original film, and is split into two narratives, one based on land, the other set around another U-boat and its crew. Martin Schweighofer, head of the Austrian Film Commissionexpressed misgivings about the decision: "The discomfort click here because of the vague rules of the Academy. Read My Lips". The daughter of the steward at the baron's estate claims a violent dream-premonition about harm coming to here midwife's handicapped son, then the boy is attacked and more info blinded, found during you n-tv news consider night search along sula jessica a well-written note quoting Exodus Retrieved 27 March May
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Code Unknown Benny's Video Crime Drama. The Seventh Continent Happy End A well-to-do French family deals with a series of setbacks and crises.
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Trivia In the dance scene, where the camera moves in degrees, tiles were added frame by frame to replace the original Eternit roofs.
Goofs In the scene when the farmer sits next to his wife's corpse, the actress's breathing is noticeable.
Quotes The Doctor : My God, why don't you just die? Crazy Credits The opening and closing credits are shown in complete silence.
There is no music or other sounds during both entire credit sequences. Was this review helpful to you? Yes No Report this.
Q: Is the movie based on a book? Q: What does the title mean? Language: Latin German Italian Polish. Runtime: min.
Color: Black and White. Edit page. Clear your history. Meanwhile, the doctor and his family have also suddenly disappeared, leaving a note on the door indicating his practice is closed.
The schoolteacher's growing suspicions lead to a confrontation in the pastor's rectory , where he suggests that the pastor's children and students had prior knowledge of the local troubles and insinuates that they likely perpetrated them.
Offended, the pastor berates him and threatens to report him to the authorities if he repeats his accusations. The film ends a few days after World War I officially begins , with the final scene occurring in Sunday church on the day of a visit from the narrator's prospective father-in-law.
Disquiet remains in the village, with no explanation of the violent events. The narrator is eventually drafted , leaving Eichwald, never to return.
Michael Haneke has said the project was in development for more than ten years. More than 7, children were interviewed during the six-month-long casting period.
For most of the adult roles, Haneke selected actors with whom he had worked before and therefore knew they were suitable for the roles.
Actors with significant stage experience were preferred because of the measured language of the screenplay. Filming took place between 9 June and 4 September Christian Berger , Haneke's usual director of photography, shot the film in Super 35 using a Moviecam Compact.
Before filming started, Berger studied the black-and-white films Ingmar Bergman made with Sven Nykvist as cinematographer. Haneke wanted the environments to be very dark, so many indoor scenes used only practical light sources such as oil lamps and candles.
In some of the darkest scenes, where the crew had been forced to add artificial lighting, extra shadows could be removed in the digital post-production which allowed for extensive retouching.
In the dance scene, where the camera moves in degrees, tiles were added frame by frame to replace the original Eternit roofs.
The film received its premiere on 21 May as an official selection at the 62nd Cannes Film Festival and had its theatrical release in Austria on 25 September With a fully German cast and setting, as well as co-production by a German company, it has been discussed whether the film should be regarded as an Austrian or German production.
Haneke himself has expressed indifference on the question: "In the Olympic Games the medal doesn't go to the country, but to the athlete.
German critics were positive. Julia Evers of Oberösterreichische Nachrichten called the film "an oppressive and impressive moral painting , in which neither the audience nor the people in the village find an escape valve from the web of authority, hierarchy and violence.
And that is why it is so difficult to bear. Challenging accusations of Haneke's cinematic approach being cold and cynical, Keuschnigg instead hailed the director as uncompromising and sincerely humanistic.
Zander also applauded the "perfectly cast children", whom he held as "the real stars of this film".
Polluted souls stand out against poised compositions and tidy details". However, critics such as Claudia Puig of USA Today praised the film's cinematography and performances while criticizing its "glacial pace" and "lack [of] the satisfaction of a resolution or catharsis.
Scott accused it of "mystifying the historical phenomenon it purports to investigate. Which is also to say: no one.
At the Cannes Film Festival in , the film received the jury's highest prize, the Palme d'Or , and the international film critics' prize, plus a special mention from the Ecumenical Jury.
Its submission as an entry of Germany rather than Austria was the source of some controversy,  since the Academy would have accepted it as a submission from either country.
Martin Schweighofer, head of the Austrian Film Commission , expressed misgivings about the decision: "The discomfort arises because of the vague rules of the Academy.
In essential functions the film is Austrian. From Wikipedia, the free encyclopedia. For the item, see White ribbon. Theatrical release poster.
Wega Film X Filme. British Board of Film Classification. This ensured natural growth of beards and hair, increasing skin pallor, and signs of strain on the actors, who had, just like real U-boat men, spent many months in a cramped, unhealthy atmosphere.
The production included the construction of several models of different sizes, as well as a complete, detailed reconstruction of the interior of the U , a Type VIIC-class U-boat.
Hans-Joachim Krug, former first officer on U , served as a consultant, as did Heinrich Lehmann-Willenbrock , the captain of the real U Several different sets were used.
Two full-size mock-ups of a Type VIIC boat were built, one representing the portion above water for use in outdoor scenes, and the other a cylindrical tube on a motion mount hydraulic gimbal for the interior scenes.
The outdoor mock-up was basically a shell propelled with a small engine, and stationed in La Rochelle, France and has a history of its own.
One morning the production crew walked out to where they kept it afloat and found it missing. Someone had forgotten to inform the crew that an American filmmaker had rented the mock-up for his own film shooting in the area.
A mock-up of a conning tower was placed in a water tank at the Bavaria Studios in Munich for outdoor scenes not requiring a full view of the boat's exterior.
When filming on the outdoor mockup or the conning tower, jets of cold water were hosed over the actors to simulate the breaking ocean waves.
During the filming there was a scene where actor Jan Fedder Pilgrim fell off the bridge while the U-boat was surfaced. Fedder broke several ribs.
This scene was not scripted and during the take one of the actors exclaims " Mann über Bord! Petersen, who at first did not realise this was an accident said "Good idea, Jan.
We'll do that one more time! In this scene, the pained expression on Fedder's face is authentic and not acted.
For his scenes later in the film Fedder had to be brought to and from set from the hospital since he suffered a concussion while filming his accident scene.
Fedder eventually recovered enough and Pilgrim is seen on his feet from the scene when the U abandons the British sailors.
A half-sized full hull operating model was used for underwater shots and some surface running shots, in particular the meeting in stormy seas with another U-boat.
The tank was also used for the shots of British sailors jumping from their ship; a small portion of the tanker hull was constructed for these shots.
The interior U-boat mock-up was mounted five metres off the floor and was shaken, rocked, and tilted up to 45 degrees by means of a hydraulic apparatus, and was vigorously shaken to simulate depth charge attacks.
Petersen was admittedly obsessive about the structural detail of the U-boat set, remarking that "every screw" in the set was an authentic facsimile of the kind used in a World War II U-boat.
In this he was considerably assisted by the numerous photographs Lothar-Günther Buchheim had taken during his own voyage on the historical U , some of which had been published in his book, U-Boot-Krieg "U-Boat War".
Throughout the filming, the actors were forbidden to go out in sunlight, to create the pallor of men who seldom saw the sun during their missions.
The actors went through intensive training to learn how to move quickly through the narrow confines of the vessel. Most of the interior shots were filmed using a hand-held Arriflex of cinematographer Jost Vacano 's design to convey the claustrophobic atmosphere of the boat.
It had two gyroscopes to provide stability, a different and smaller scale solution than the Steadicam , so that it could be carried throughout the interior of the mock-up.
Wolfgang Petersen created the film based on Buchheim's novel of the same name with several alterations to the plot and characters. The next day, 31 October, the group made contact with convoy OS U launched four torpedoes at a long range, one of which struck the Dutch SS Benekom.
The ship went down half an hour after being hit, taking nine of her crew of 56 with her. The U-boat escaped the barrage of 27 depth charges unscathed.
Unable to reach her destination, U made for the port of Saint Nazaire. In the film, there is only one ardent Nazi in the crew of 40, namely the First Watch Officer referred to comically in one scene as Unser Hitlerjugendführer or "Our Hitler Youth Leader".
The rest of the officers are either indifferent or openly anti-Nazi the Captain. The enlisted sailors and NCO are portrayed as apolitical.
Werner states that the selection of naval personnel based on their loyalty to the party only occurred later in the war from onward when the U-boats were suffering high casualties and when morale was declining.
Such a degree of skepticism may or may not have occurred. In support of Das Boot on this subject, U-boat historian Michael Gannon maintains that the U-boat navy was one of the least pro-Nazi branches of the German armed forces.
Both the novel and the film had a much darker ending than in reality, where the U-boat returns to port only to be destroyed during an air raid with many of her crew killed or wounded.
In reality, U survived the war unscathed with the majority of her senior officers surviving as well, but much like its on-screen fate, it actually was sunk by Allied bombers at its berth in Wilhelmshaven in March Even though the beginning and the end of the film occur in the port of La Rochelle , it does not correspond historically.
The submarine base in La Rochelle was not functional before November , and at the time of the film the port was dried up. Moreover, none of the British fighter-bombers of late to early had the range to bomb La Rochelle from bases in the U.
Even though impressed by the technological accuracy of the film's set-design and port construction buildings, novelist Lothar-Günther Buchheim expressed great disappointment with Petersen's adaptation in a film review  published in , describing Petersen's film as converting his clearly anti-war novel into a blend of a "cheap, shallow American action flick" and a "contemporary German propaganda newsreel from World War II".
Buchheim, after several attempts for an American adaptation had failed, had provided his own script as soon as Petersen was chosen as new director.
It would have been a six-hour epic; Petersen turned him down because the producers were aiming for a minute feature for international release.
However, today's Director's Cut of Das Boot amounts to minutes. Director Wolfgang Petersen has overseen the creation of several different versions of his film.
The first to be released was the minute theatrical cut. The film was partly financed by German television broadcasters WDR and the SDR , and much more footage had been shot than was shown in the theatrical version.
A version of six minute episodes was transmitted on BBC2 in the United Kingdom in October and, again during the Christmas season.
In February a version of three minute episodes was broadcast in Germany. Petersen then supervised the editing of six hours of film, from which was distilled a minute version, Das Boot: The Director's Cut.
Released to cinemas worldwide in , this cut combines the action sequences seen in the feature-length version with character development scenes contained in the mini-series.
In addition, the audio quality was improved and modified over previous releases.